
PRODUCER SERIES: Development & Distribution 102 (2 of 3)
Development is more than just rewrites. Development is the stage between idea and execution - execution beginning in pre-production.

Commercials Crash Course (3-Part Mini-Series)
As everyone knows, a career n the entertainment industry can be either “feast or famine”. One second you’re on an Avenger’s Movie, or Walking Dead shoot, the next you’re waiting by the phone for another job. Finding your next big gig on a film or TV show can be difficult, but few consider the opportunities in the commercial industry.

Short Films 101 with Kathy Berardi
Kathy Berardi is offering a special one-day, all-inclusive class in which attendees will receive A to Z guidance on how to successfully write, produce and direct a short film

Writing Characters That Are Story Engines with Katiedid Langrock
Your characters are everything. They are the heart and soul of every movie and television show. They own the emotional attachment of your audience. And, when constructed well, characters become such a dynamic force that they take on a life of their own. This is the ultimate goal. This is what turns a movie from good to great and a show from enjoyable to binge-able. This is what gets your story sold.

Commercials Crash Course (3-Part Mini-Series)
As everyone knows, a career in the entertainment industry can be either “feast or famine”. One second you’re on an Avenger’s Movie, or Walking Dead shoot, the next you’re waiting by the phone for another job. Finding your next big gig on a film or TV show can be difficult, but few consider the opportunities in the commercial industry.

Short Films 101 with Kathy Berardi
Kathy Berardi is offering a special one-day, all-inclusive class in which attendees will receive A to Z guidance on how to successfully write, produce and direct a short film

PRODUCER SERIES (Budgeting Track): Budgeting a Script 203 (3 of 3)
Budgeting isn’t a formula. Each project is different, but some basics do apply. You start with a complete breakdown and a rough schedule. Without doing that work, you can’t properly estimate the cost of your production.

PRODUCER SERIES (Producing Track): Business Proposal 103 (3 of 3)
This class will walk you through the basic content necessary to create a proper plan for your film from team bios and your dream cast to your top sheet budget and distribution plan.

PRODUCER SERIES (Budgeting Track): Scheduling a Script 202 (2 of 3)
Attendees from the Breaking Down a Script class will take their breakdowns and learn to schedule efficiently, as well as effectively. You’ll learn what to look for and how to create a solid schedule from which to budget.

PRODUCER SERIES (Producing Track): Development 102 (2 of 3)
Proper development can make or break your chances of raising funds, finding a recognizable cast, getting the best crew and equipment necessary, and finding distribution. Proper development is crucial to success.

Entertainment Law: Copyright 101 - Protecting Your Work
Producing creative content is a labor of love. For many artists, developing a concept can take months or even years. Buried in the creative process, many filmmakers forget the legal side of crafting original content. Each year numerous I.P. lawsuits are filed, with some carrying settlements as high as $150,000 or more!

PRODUCER SERIES (Budgeting Track): Breaking Down a Script 201 (1 of 3)
Paying someone to breakdown your script elements properly can be very expensive. If you want to be a good producer, assistant director, or production manager, it all starts with understanding this process.

PRODUCER SERIES (Producing Track): Producing 101 (1 of 3)
Introduction to all producers do, from development to distribution. Sign on for this 4 hour workshop that navigates students through introductory-level producing.

Entertainment & Media Business 101: Getting to the Contract
Majority of media professionals love the arts, but forget about the importance of knowing the legal side of the business. So, why should they care about entertainment law?

Writing Characters That Are Story Engines with Katiedid Langrock
Your characters are everything. They are the heart and soul of every movie and television show. They own the emotional attachment of your audience. And, when constructed well, characters become such a dynamic force that they take on a life of their own. This is the ultimate goal. This is what turns a movie from good to great and a show from enjoyable to binge-able. This is what gets your story sold.

Intro into Making Short Films with Kathy Berardi
Previously taught as a 4-class series, Kathy Berardi is offering a special one-day, all-inclusive class in which attendees will receive A to Z guidance on how to successfully write, produce, and direct a short film.

PRODUCER SERIES (Budgeting Track): Budgeting a Script 203 (3 of 3)
Budgeting isn’t a formula. Each project is different, but some basics do apply. You start with a complete breakdown and a rough schedule. Without doing that work, you can’t properly estimate the cost of your production.

PRODUCER SERIES (Producing Track): Business Proposal 103 (3 of 3)
This class will walk you through the basic content necessary to create a proper plan for your film from team bios and your dream cast to your top sheet budget and distribution plan.

Screenwriting Series with Kathy Berardi: What Do I Do Once I Finish My Screenplay?
The “Screenwriting Series” will be offered once again by the Atlanta Film Society in Fall 2017. This class is ideal for writers new to the art and craft of screenwriting.
Screenwriting Series with Kathy Berardi: The Craft of Writing a Screenplay
The “Screenwriting Series” will be offered once again by the Atlanta Film Society in Fall 2017. This class is ideal for writers new to the art and craft of screenwriting.

Screenwriting Series with Kathy Berardi: Define Your Characters
The “Screenwriting Series” will be offered once again by the Atlanta Film Society in Fall 2017. This class is ideal for writers new to the art and craft of screenwriting.

PRODUCER SERIES (Budgeting Track): Scheduling a Script 202 (2 of 3)
Attendees from the Breaking Down a Script class will take their breakdowns and learn to schedule efficiently, as well as effectively. You’ll learn what to look for and how to create a solid schedule from which to budget.

PRODUCER SERIES (Producing Track): Development 102 (2 of 3)
Proper development can make or break your chances of raising funds, finding a recognizable cast, getting the best crew and equipment necessary, and finding distribution. Proper development is crucial to success.

Screenwriting Series with Kathy Berardi: Before Page One – Crack Your Premise and Plot
The “Screenwriting Series” will be offered once again by the Atlanta Film Society in Fall 2017. This class is ideal for writers new to the art and craft of screenwriting.

PRODUCER SERIES (Budgeting Track): Breaking Down a Script 201 (1 of 3)
Paying someone to breakdown your script elements properly can be very expensive. If you want to be a good producer, assistant director, or production manager, it all starts with understanding this process.

PRODUCER SERIES (Producing Track): Producing 101 (1 of 3)
Introduction to all producers do, from development to distribution. Sign on for this 3 hour workshop that navigates students through introductory-level producing.

Intro into Making Short Films 101
Kathy Berardi is offering a special one-day, all-inclusive class in which attendees will receive A to Z guidance on how to successfully write, produce and direct a short film

Film Resume 101 with Producer Linda Burns
Your resume is your first impression. While it will always be 'who you know' that gets you hired, having a properly created resume is still the best way to get your foot in the door.

Film Business 101 with Producer Linda Burns
From PA to Producer, learn each department's job and responsibilities, understand terminology and protocol, and hear how the business runs in general from the production office to the set.

Workshop: Create a Proper Film Resume
Wonder why you send in your resume but don’t get a call? Is your film resume structured correctly or is it in corporate form? If you have film credits, this class helps you properly organize them into the traditional structure.