LISA FERRELL

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Lisa Ferrell has worked in series and tele-film development for such companies as CBS, Lifetime Television/Hearst Entertainment, NBC and TBS. While at motion capture studio Giant Studios/Profile, she was involved in the post production of films that include New Line Cinema’s Lord of the Rings trilogy and Sony Imageworks animated holiday feature Polar Express directed by Robert Zemekis and starring Tom Hanks. Lisa was also instrumental in creating the pilot episode for the long-running Ripley’s Believe It or Not! series for TBS among many other projects. Currently, she works as a Producer / PM in emerging technology, i.e., Motion Capture, Volumetric Capture, AR / VR.

Lisa has served as Executive Producer for several of Atlanta’s foremost post production, motion capture and VFX facilities, including the Toronto-based SPIN VFX, and has helped create creative for some of the foremost advertising agencies and brands in the world. After starting Lisa Ferrell Productions in 2016, she worked on numerous projects for such clients as J Walter Thompson Inside New York, Hartsfield Jackson Airport, CARE USA, Toys R Us, music videos, a number of short indie films and concept pitch projects.

Currently, Lisa serves as Professor of Practice / Production for the Creative Media Industries Institute (CMII) at Georgia State University.

Upcoming Events with lISA FERRELL:

Past Events with LISA FERRELL:

Calendar
Commercials Crash Course (3-Part Mini-Series)
Jul 20
Commercials Crash Course (3-Part Mini-Series)

As everyone knows, a career n the entertainment industry can be either “feast or famine”. One second you’re on an Avenger’s Movie, or Walking Dead shoot, the next you’re waiting by the phone for another job. Finding your next big gig on a film or TV show can be difficult, but few consider the opportunities in the commercial industry.

Commercials Crash Course (3-Part Mini-Series)
Jan 19
Commercials Crash Course (3-Part Mini-Series)

As everyone knows, a career in the entertainment industry can be either “feast or famine”. One second you’re on an Avenger’s Movie, or Walking Dead shoot, the next you’re waiting by the phone for another job. Finding your next big gig on a film or TV show can be difficult, but few consider the opportunities in the commercial industry.